Born in 1951, graduated at University N. Grigorescu, Bucharest, Romania as graphic artist in 1976, under professorship of V. Kazár and I. State. Married and moved to Hungary in 1977. Earned M.A. in typography in 1979 at University of Applied Arts, under professorship of Gy. Haimann and J. Kass. Johanna was employed as applied graphic artist, as an art teacher has discovered and launched talented artists. Johanna is conducting a harmonious family life, with her chemical engineer spouse. Her son Dániel Dávid is architect and informatics engineer who brought in family Judit Fehér and bestowed two clever and beauty granddaughters. She is member of Association of Hungarian Artists, Maoe, Association of graphic artists, Societies of art symposiums in Pöchlarn, Érd, Töreki. Representative awards: Derkovics Stipend 1979-1982; Stipend of Salzburg 1990; Honor for illustration, Bukarest, 1997; Award Scheiber Sándor, 2008; Art award of Érd, 2015. Johanna regularly show her works at solo, group, national and international exhibitions since 1972. She is very proud that persident Göntz Árpád selected her work to hand it over for inauguration of Holocaust Museum of Washington. Public and private collections hold artwork, arounbd the World. Illustration and cover designs, as well as orientation systems of Százhalombatta Cultural center represent her activity in the field of applied arts. About her works: Human relation are inked in her grahics by using ink, brush and pen in graphic works. Peaple drawn through grotesque approach cannot get the pace of our accelerating world. Thoughtfulness of hopelessness, exclusion, prejudice make that figures are scaletal torsos.Compisitions have a spontaneous fly in blue and green pots crossed by bony drawing style that allude a 20th century history written along persecution of witches without witnessing living withces (Büki, A). Johanna has continued to tell a single story from drawing to drawings. Happy, sorrow, personal and public impressions and experience, family and personal history flow out of her pen onto paper and very different media (Bandy). Artistic motifs, heroes of graphics and paintings have been her prime scopes of creation, but they are very different from conventional figures, her bodies are surreal, expressive and realist at the same time, bodies take off skins of ordinary resemblance, to emerge as medieval knights, interstellar traveller monsters, ancient horror creatures ((Takács, F.). Psychology of her figures of sacral meanings dictate evidently a massive intensity compositions in 3D that follows a continuous movement forward and backward up and down between old and new, between facts and wishes, between problems and solutions and so on along as a continuous straight line progress (Szakolczay, L.). It has been and important aspect that these revisits bring new solutions, new perspectives to human relations. Even though it appears that the artist orbits around a theme, but she is always elevating to higher and higher levels.
Born in 1951, graduated at University N. Grigorescu, Bucharest, Romania as graphic artist in 1976, under professorship of V. Kazár and I. State. Married and moved to Hungary in 1977. Earned M.A. in typography in 1979 at University of Applied Arts, under professorship of Gy. Haimann and J. Kass. Johanna was employed as applied graphic artist, as an art teacher has discovered and launched talented artists. Johanna is conducting a harmonious family life, with her chemical engineer spouse. Her son Dániel Dávid is architect and informatics engineer who brought in family Judit Fehér and bestowed two clever and beauty granddaughters. She is member of Association of Hungarian Artists, Maoe, Association of graphic artists, Societies of art symposiums in Pöchlarn, Érd, Töreki. Representative awards: Derkovics Stipend 1979-1982; Stipend of Salzburg 1990; Honor for illustration, Bukarest, 1997; Award Scheiber Sándor, 2008; Art award of Érd, 2015. Johanna regularly show her works at solo, group, national and international exhibitions since 1972. She is very proud that persident Göntz Árpád selected her work to hand it over for inauguration of Holocaust Museum of Washington. Public and private collections hold artwork, arounbd the World. Illustration and cover designs, as well as orientation systems of Százhalombatta Cultural center represent her activity in the field of applied arts. About her works: Human relation are inked in her grahics by using ink, brush and pen in graphic works. Peaple drawn through grotesque approach cannot get the pace of our accelerating world. Thoughtfulness of hopelessness, exclusion, prejudice make that figures are scaletal torsos.Compisitions have a spontaneous fly in blue and green pots crossed by bony drawing style that allude a 20th century history written along persecution of witches without witnessing living withces (Büki, A). Johanna has continued to tell a single story from drawing to drawings. Happy, sorrow, personal and public impressions and experience, family and personal history flow out of her pen onto paper and very different media (Bandy). Artistic motifs, heroes of graphics and paintings have been her prime scopes of creation, but they are very different from conventional figures, her bodies are surreal, expressive and realist at the same time, bodies take off skins of ordinary resemblance, to emerge as medieval knights, interstellar traveller monsters, ancient horror creatures ((Takács, F.). Psychology of her figures of sacral meanings dictate evidently a massive intensity compositions in 3D that follows a continuous movement forward and backward up and down between old and new, between facts and wishes, between problems and solutions and so on along as a continuous straight line progress (Szakolczay, L.). It has been and important aspect that these revisits bring new solutions, new perspectives to human relations. Even though it appears that the artist orbits around a theme, but she is always elevating to higher and higher levels.
21st Century Piroska and the Wolf for Adults, I mixed media, paper, 28 x 40 cm
21st Century Piroska and the Wolf for Adults, II mixed media, paper, 28 x 40 cm
21st Century Piroska and the Wolf for Adults, III mixed media, paper, 28 x 40 cm
